Building the corpus for this project was not easy. In this episode I talk about the process and call attention to an interesting case that doesn’t make the list.
I was lucky enough to participate in the Education 2035 workshop at MSU on October 31, 2018. Understanding the impact of technology on the educational experience is not a new question, but with the emergence of A.I., the possibility that computers can do some of the work of teaching is becoming more and more important. Indeed, I’ve done work with grading tools around writing. These tools, used in the right way, can be helpful with the basic work of grading sentence structure. They can tell you have written a run-on sentence. They cannot tell you if what you wrote makes sense. Does it reflect critical inquiry, knowledge integration, or analysis? These question require a person with knowledge to wrestle with what you wrote. The key to technology is that it remain grounded in the limitations of machine logic. While it may seem strange, bringing professors from the College of Arts and Letters allows the scientists to think about how we think about technology. Our talks where in a lightning round format. I spoke about Afrofuturism and how that framework allows to imagine the future differently. Art and design linked to Afrofuturism is deeply shaped by a need to provide tools for black liberation and uplift. What can it mean? Well, one slide simply reminded the audience “There are black people in the future.” A simple statement, but the implication for the present are meaningful. Black people will survive and they will continue to strive toward a better tomorrow. There struggle will challenge the mainstream to do better and that challenge can benefit society as a whole.
I’m excited to be a keynote speaker at the Pulp Culture Comic Arts Festival and Symposium at the Vermont Folklife Center.
I presented at the 2018 Network Detroit conference at Wayne State University. This was my first presentation in the region and in truth talking about my Florida themed work seemed a little odd. Not because it was not good work, but because as I move into this new position at MSU, I am seeking to vision projects that are rooted in my Michigan context. As I think about my DH work, I’m looking at frameworks that examine ideological links between people of color that can cross borders and capture ideology that unite the circumstances facing African-Americans. On the other hand, this work forced me to think about the structure and practice I used. I’m thankful for the great feedback I got from the participants.